Spaceman’s Transmissions
Ambient music podcast for the masses during their interplanetary explorations within spiritual and mental realms in effort to reach higher creative goals. I’m your host, Tonepoet, and together with the staff at Spaceman’s Transmissions we’re here to provide you with the means to dream and mentally flourish. Download the mixes, turn on, tune in, sleep...
Episodes
Monday Jun 04, 2012
magnatunes mix
Monday Jun 04, 2012
Monday Jun 04, 2012
I've been wanting to do this mix since I started this blog. Okay, that means about a month ago. Nonetheless... I've been a member of Magnatune for some time now: I used to buy albums (CD's? digital releases?) separately when that was the only option. Now, they've managed to step it up with a streaming membership and a download membership (my preference) that is affordable (edit: no longer true) and allows you to get TONS of music. You don't even need an account to stream EVERYTHING that you want (edit: again, no longer true). By everything, I mean classical (I'm partial to the Medieval stuff), hip-hop, rock, ambient, jazz, ethnic, folk, eccentric, and downright not-fitting-a-genre.
I am in NO way affiliated with Magnatune, I just think that they are completely affordable and extremely ethical (being a musician myself, that is very rare in the music business). Okay, enough hero worship, on with the music. This was a daunting task, to only pick things that were appropriate, in order to make a representation of a very small genre that is barely a portion of what I have from them. I managed to put in a bit of my favorite artists/releases, like Anne Garner (first and last songs), Robert Rich, Paul Avgerinos, and Rapoon. This allowed me many hours of sifting through tunes and artists. Not at all a bad task. I think that overall, I managed to stay consistent with my style of mixes, keeping it for the most part very ambient. Going through so much stuff made me eager to do a mix with some small amounts of pulse. Time will tell if I need to scratch that itch... Well, enjoy the mix, and pay them a visit, you will be glad that you did!
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
“Haunt Me” by Anne Garner from Trusting A Twirled World (Slowcraft Records), Released February 1, 2011 (Start Time: 00:00)
“Lumiere” by Davide Viterbo from Distant City (Magnatune), Released June 4, 2011 (Start Time: 3:20)
“Sweet Sound Of Escape” by Dave Preston from Soundtrack For Motion (CDBY), Released July 20, 2010 (Start Time: 9:51)
“Kedarika (Excerpt)” by Amelia Cuni and Werner Durand from Nada Yoga, Vol. 1 (Magnatune), Released October 8, 2009 (Start Time: 14:41)
“T 4 05 (Vinyl)” by Petar Alargic from Classient Vinyl L 1 (Magnatune), Released March 22, 2011 (Start Time: 30:16)
“Star Maker (Excerpt)” by Robert Rich from Below Zero (Solielmoon/Side Effects), Released September 1, 1998 (Start Time: 33:29)
“Only The Names Change” by Rapoon from What Do You Suppose (Solielmoon/Staalplaat), Released November 16, 2000 (Start Time: 41:59)
“Day Dreams – And Thirst Is Quenched (Excerpt)” by Paul Avgerinos from Balancing Spheres (Round Sky Music), Released July 13, 2004 (Start Time: 45:45)
“The Tower (Instrumental)” by Anne Garner from Trusting A Twirled World (Instrumental) (Slowcraft Records), Released October 30, 2011 (Start Time: 52:32)
Wednesday May 30, 2012
...and breathe
Wednesday May 30, 2012
Wednesday May 30, 2012
I started off making a mix with more vocal stuff in mind. But when I had problems loading in a Sigur Ros song, I just thought it best to just make a good solid mix. I did manage to put in some vocal stuff, though. I'm not sure what language is sang in Low Light (a tip of my hat to Dave Michuda); I would guess that it's Gaelic. Also, the second tune is from a release that is mostly traditional folk-ish medieval music. This piece is great, I heard it the first time on Sleepbot Environmental Broadcast and decided to find and purchase the rest of the music. Glad that I did.
I managed to slip in some not so ambient stuff, like Bombay Dub Orchestra (amazing stuff!), Carbon Based Lifeforms, and Lawrence (check out the rest of Childish Music, very interesting). The last artist, Conelrad, I have to give made props to. One, for making really incredible music that I absolutely love. Two, for posting it all for FREE! And three, for corresponding with me about his music. Thanks for listening, and support the artists!!
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
“Low Light” by Peter Gabriel from OVO: The Millennium Show (Real World Records), Released August 8, 2000 (Start Time: 0:00)
“Alchemist” by Philip Pickett from Alchemist (London), Released July 21, 1989 (Start Time: 6:36)
“Don't Bother, They're Here” by Stars Of The Lid from And Their Refinement Of The Decline (Kranky), Released April 3, 2007 (Start Time: 9:35)
“The Great Silence” by Bombay Dub Orchestra from Bombay Dub Orchestra (Six Degrees), Released February 28, 2006 (Start Time: 19:36)
“Empress You Are” by Paul Avgerinos from Words Touch (Round Sky Music), Released November 21, 2001 (Start Time: 25:50)
“World Of Sleepers” by Carbon Based Lifeforms from World Of Sleepers (Ultimae Records), Released November 27, 2006 (Start Time: 36:20)
“The Deep And Lovely Quiet” by SubtractiveLAD from Life At The End Of The World (n5MD), Released February 9, 2010 (Start Time: 39:08)
“Falling Down A Dam Of Mashed Potatoes” by Lawrence from Childish Music (Staubgold), Released April 25, 2005 (Start Time: 44:20)
“Lead Lined” by Conelrad from Community Shelter Planning (“no label”), Released 2007 (Start Time: 47:51)
Sunday May 20, 2012
movements within time
Sunday May 20, 2012
Sunday May 20, 2012
I'm making a resolution to keep the comments on the posts a bit brief; I want the music to speak for itself. I started out making a time-based mix, and for the most part, a bit of it turned out that way. But in the end, I just picked a bunch of stuff that I really enjoyed and wanted to share. I picked some stuff I've had going around in my mind for a bit. There was a bit of a resist to put on some Brian Eno, since it's a win-win situation with ambient music, but one cannot resist. Of course, it also contains some Global Communication (which I love!), and an artist (Gopal) from the Magnatune label.
I was going to save the Max Richter song (On The Nature Of Daylight) for a classical based mix, but I decided to go ahead and use it here. No apologies over that! I actually did a mix of guitar based stuff before this, but I'm still mulling it over. Some of the moments are a bit shred-licious. I think that might be alright, it is all still VERY chill. Alright, enjoy the music, and of course support the artists!!
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
“02 14 31” by Global Communication from 76:14 (Dedicated/BMG Records/Arista/Legacy/SME), Released June 1994 (Start Time: 0:00)
“Morning Mist” by Gopal from Depth Of My Heart (Magnatune), Released December 3, 2010 (Start Time: 14:26)
“On The Nature Of Daylight” by Max Richter from The Blue Notebooks (Fat Cat), Released February 26, 2004 (Start Time: 18:14)
“Resonant Frequency” by John Foxx & Harold Budd from Drift Music (Edsel Records), Released August 25, 2003 (Start Time: 24:24)
“This Dominion” by Between Interval from Autumn Continent (Spotted Peccary), Released August 8, 2006 (Start Time: 26:58)
“Hypoborea” by Biosphere from Substrata (Touch UK), Released January 1, 2004 (Start Time: 34:40)
“An Ending (Ascent)” by Brian Eno from Apollo: Atmospheres and Soundtracks (EG), Released 1983 (Start Time: 40:13)
“16 Second Swarm” by Bass Communion from Bass Communion II (Hidden Art), Released July 1999 (Start Time: 44:14)
Monday Apr 30, 2012
beyond our sphere
Monday Apr 30, 2012
Monday Apr 30, 2012
I started out just making a mix that used more ‘real’ instruments rather than synthesizer pads to give my respect to the more composed pieces of music. After working on it a bit, I could see that the titles lent themselves to a ‘space’ vibe. That was going to be a theme for a mix of mine at one point, so why not now? These songs represent space, weightlessness, and inspire awe just like the cosmos.
You know, very often my son (who is 6) and very much into super heroes asks me what super power I would like to have. My answer is always the same: the power of flight. Why? Because growing up as a little boy and reading Superman comics, I was always captivated and jealous of the fact that he could fly into outer space and see the most amazing thing that the majority of the world’s population would never see. I guess you could say that I’m a bit of an astronomy fan.
I pulled a few sound samples for this mix, from a NASA site as well as a site that posted a few samples online. For the next space mix (there will be another at some point), I’ll dig a bit deeper finding better samples, but for now…..
In keeping the instrumentation as organic as possible, I opened up with a track from Harold Budd. To me, the sedating effect of this track represents weightlessness. The EP that this track is on was produced by none other than Brian Eno (with Chas Smith on steel guitar). Who would ever think that steel guitar could be so tranquil?
For the same reason I like Stars Of The Lid, I also like Windy & Carl (pssst, real guitar!). They describe their music as ‘dreamy & psychedelic’. I couldn’t agree more. And, of course, with a title like ‘The Sun’, this song fits perfectly.
Next up is again a very influential musical hero of mine, Vangelis. Creation Du Monde translates to ‘Creation of the World’ (French).
Aloof Proof is an artist that I discovered from the Asphalt Eden (defunct) site and fell very much in love with the organic sound. I purchased Piano Text, and here I decide to play an excerpt from the same release (there are only 2 tracks, but that is more than sufficient). There are more recordings of this artist that can be found online, but this Piano Text is pure magic.
JONN SERRIE seems to specialize in ‘space ambient’, if there is such a term. And for a good reason, he makes epic voyage music.
I really enjoyed making this mix. I pulled out some astronomy books, checked out some Hubble pictures, and basked in the warm flow of great music.
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
“Saturn Rocket” http://www.sounddogs.com/results.asp?CategoryID=1005&SubcategoryID=75&Type=1 (Start Time: 0:00)
“Spanish Pinewood” by Gordon Hempton from Earth’s Morning Song (Miramar), Released January 24, 1995 (Start Time: 0:25)
“Liftoff” http://www.nasa.gov/connect/sounds/ (Start Time: 0:40)
“Afar” by Harold Budd from Serpent/Abandoned Cities (All Saints UK), Released January 1, 2003 (Start Time: 1:08)
“Space Walk (Excerpt)” by Lemon Jelly from Lost Horizons (XL Recordings), Released October 7, 2002 (Start Time: 3:27)
“The Sun” by Windy & Carl from Consciousness (Kranky), Released March 18, 2001 (Start Time: 3:33)
“Rocket Taking Off and Landing” http://www.sounddogs.com/results.asp?CategoryID=1005&SubcategoryID=75&Type=1 (Start Time: 6:51)
“Creation Du Monde” by Vangelis from L’Apocalypse Des Animaux (Polydor), Released 1973 (Start Time: 7:14)
“The Ghost Ship (Excerpt)” by Aloof Proof from Piano Text (Infraction Records), Released 1994 (Start Time: 17:06)
“The Stars, Like Dust…” by Jonn Serrie from The Stargazer’s Journey (New World Music), Released August 19, 2003 (Start Time: 37:48)
“That’s One Small Step” http://www.nasa.gov/connect/sounds/ (Start Time: 52:56)
“Rocket Taking Off and Landing (In Reverse)” http://www.sounddogs.com/results.asp?CategoryID=1005&SubcategoryID=75&Type=1 (Start Time: 53:04)
Friday Apr 20, 2012
from nightfall to first light
Friday Apr 20, 2012
Friday Apr 20, 2012
Hello! This time around, I wanted to capture a bit of a vibe from the time that one drifts off to sleep until the awakening. I started off with something from BIOSPHERE that for some reason reminds me of growing up in Daytona Beach, Florida. I lived not too far from the beach, and as the youngest of 6 spent a lot of time outside playing Frisbee in the summer. I was also not too far from the airport and Embry Riddle University. The students there often flew small prop planes for study (fun study, right?), and hearing this song from BIOSPHERE really takes me back to that time when I was young, carefree, and spending all day outside until day faded until night.
I put in the rain to transition between 2 events: the end of the evening and that time when just before sleep when your mind begins to visualize bizarre things. I wanted you to imagine you are hearing something out of the ordinary, hence the GLOBAL COMMUNICATION talking and an excerpt from JIM HALL’s Beija Flor. Beija Flor is a piece written by South American composer (can’t remember who), and this rendition from JIM HALL does it much justice. As far as jazz albums go, his album All Across the City and Miles Davis’ Kind of Blue are both my favorites (tie).
I have a lot of soundtrack material, and one day I’ll put more into use. I love everything about the soundtrack to American Beauty. Not only is it one of my all time favorite films (Kevin Spacey is an absolute hero!), but the music is dead on accurate as far as creating the right mood for the film. I’m envious of THOMAS NEWMAN. When you read his Wikipedia page, you’ll be blown away by the amount of output he’s had.
Oddly, I discovered the song Cirrus (HUGH & SATURATION) from a game created by IVORY called 4 DIFFERENCES. When the game loads, you can click a link to their website and get all of their compositions free. Not bad. Great game as well!
Again, more field recordings of a creek to break things up a little bit. The sleeping night is all about transitions.
The DAVID HELPING song comes from an album called Sleeping on the Edge of the World, which is appropriately named for our nightly passage. David shares a website with Jon Jenkins, so it’s worth checking out.
I have every album that PETER GABRIEL has released. Most people didn’t like OVO: The Millennium Show as much as his other stuff, but I love it. Peter’s not singing every song, there are a lot of cameos, but it’s him through and through. I spent a lot of consecutive days wearing the grooves out on this album, and every time I hear it, it’s like the first time that I’ve heard it again. And that’s okay. I have some more of his stuff that I’d like to use at some point, probably as excerpts.
The last 2 artists, ROBERT RICH and DAC CROWELL are both artists that I discovered via MAGNATUNE. Robert is a household name to those that like their ambient a little bit dark, somewhat like Steve Roach in feel. DAC is a bit unorthodox, and definitely has his own approach to soundscapes which are innovative and memorable.
If the ending seems abrupt, it is meant to be that way (the song honestly ends like that) as you are awakening. And who ever wakes up over the course of 30 minutes? Only in Hollywood.
Well, I enjoyed making the mix, and have even more ideas for the next one. I’ll create one for the sleepers probably next, or a soundtracks mix, or a collage of snippets from rock tunes. We’ll see. Enjoy!
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
“As The Sun Kissed The Horizon” by Biosphere from Substrata (Touch UK), Released January 1, 2004 (Start Time: 0:00)
“Rain” by Unknown, Released Unknown (Start Time: 0:00)
“06 0 54” by Global Communication from 76:14 (Dedicated/BMG Records/Arista/Legacy/SME), Released June 1994 (Start Time: 1:58)
“Beija Flor (Excerpt)” by The Jim Hall Quartet from All Across The City (Concord), Released May, 1989 (Start Time: 2:56)
“Any Other Name” by Thomas Newman from the American Beauty Soundtrack (Dreamworks), Released October 5, 1999 (Start Time: 5:07)
“Cirrus” by Hugh & Saturation from Unknown, (Start Time: 9:07)
“Cricket Creek” by Unknown, (Start Time: 12:12)
“All Things End” by David Helpling from Sleeping On The Edge Of The World (Spotted Peccary), Released September 14, 1999 (Start Time: 13:25)
“The Nest That Sailed The Sky” by Peter Gabriel from OVO: The Millennium Show (EMI Import), Released June 12, 2000 (Start Time: 19:40)
“Luminous Horizon” by Robert Rich from Propgation (Hearts Of Space Records), Released February 15, 1994 (Start Time: 24:03)
“Prisengracht Extensions” (Excerpt) by DAC Crowell from Red-Shifted Harmonies (Magnatune), Released October 19, 2001 (Start Time: 32:53)
Saturday Apr 14, 2012
reflection
Saturday Apr 14, 2012
Saturday Apr 14, 2012
This mix opens with the very first thing that got me into any sort of ambient music. I’m a huge admirer of VANGELIS ever since I borrowed (stole) his album Ignacio/Entends-Tu Les Chiens Aboyer. The first side (half of which is in the mix) is like a lullaby. I had the worst experience of my life at that point, and this album was played every day. VANGELIS, to me, is something of a modern classical composer more than an electronic musician. Other releases from him that I highly recommend are Heaven and Hell, Mask, Soil Festivities, The Blade Runner Soundtrack, Mythodea, Rhapsodies (w/Irene Papas), and L’Apocalypse Des Animaux (I know it’s a lot, but I’m a big fan!).
The next song comes from the album 76:14 (the duration of the album) by GLOBAL COMMUNICATION. HERE’S the Wikipedia page on the album, there are some interesting facts about it worth reading. Their other release (Pentamerous Metamorphosis) is also great, and I’ll do a mix with some stuff from that at some point.
One thing that I love about STARS OF THE LID is that they use a real guitar (!). They, like Paul Avgerinos, are a thinking man’s ambient. Their music for me is not so easily ignored. I can’t unconsciously listen to them, they draw me it with their organic amalgamation. I like this particular song because of the violins and the warm analog sound of the entire thing.
Once again, I have to use the opportunity to inject some PAUL AVGERINOS (of course). Not too much to elaborate on, this one is also from Words Touch. This piece is very compositional (Paul holds a degree from Peabody Conservatory and plays bass. I actually got all of my stuff of his from MAGNATUNE, which is a great (and affordable) source for independent music.
BIOSPHERE (real name: Geir Jennsen) is an artist from Norway that considers his music to be ‘arctic ambient’. He sometimes uses field recordings in his works. Like most of my favorites, he definitely has his own compositional style. There is another song from this same release that will be on the next mix.
Okay, I put in a thunderstorm to break things up a bit, sorry!
The last track on here is another VANGELIS tune from the Blade Runner Soundtrack played on an out of tune piano (or maybe is just an effect, hard to say). Very beautiful composition, if somewhat sad.
Okay, thanks for listening/downloading!
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
"Ignacio" by Vangelis from Ignacio/Entends-Tu Les Chiens Aboyer (Egg/Barclay) Released 1975 (Start Time: 0:00)
"10 12 18" by Global Communication from 76:14 (Dedicated/BMG Records/Arista/Legacy/SME) Released June 1994 (Start Time: 4:10)
"Requiem For Dying Mothers Part 1" by Stars Of The Lid from (Kranky) Released October 29, 2001 (Start Time: 16:15)
"Always With You" by Paul Avgerinos from Words Touch (Round Sky Music) Released November 21, 2001 (Start Time: 22:52)
"Kobresia" by Biosphere from Substrata (Touch UK) Released January 1, 2004 (Start Time: 34:33)
"Thunderstorm" By Unknown from Unknown (Start Time 41:14)
"Memories Of Green" by Vangelis from the Blade Runner Soundtrack (Atlantic/Wea) Released June 21, 1994 (Start Time: 42:55)
Saturday Apr 14, 2012
melancholy
Saturday Apr 14, 2012
Saturday Apr 14, 2012
I didn't pick songs that put me in a melancholic mood, but rather songs (or songs from releases that I admire) that represent periods in my life.
I wanted to pick some of my favorite (very difficult task!) songs for my first mix. I can definitely say that BETWEEN INTERVAL's Autumn Continent is in my top 3 for ambient releases.
So it had to be the first song. The entire CD is very solid from the first sweeping entrance to the last dying ember of drone. I have to say that PAUL AVGERINOS' Words Touch is an absolute must-have for those who like a thinking man's ambient. Paul is a more of a composer than the average brick-on-keyboard noodler, and Words Touch (along with Love, which can be a perfect sequel) is rather deep. I have an MP3 disc player that has played both of these releases every night for years now (in my son's room as well). The next song, I Shall Be Removed from KEN (I don't have much information on this artist) is something that I discovered from sifting through people's suggestions for ambient music. Oddly, the rest of the artist's music is indie rock.
#19 by APHEX TWIN is a bit of departure for this artist, although he has released a couple of ambient works. I made a mix for a friend, who had never heard of APHEX TWIN, and he loved it. I then sent him a link to the videos WINDOWLICKER, COME TO DADDY, and RUBBER JOHNNY. Kind of blew his mind. The last song is a great one from WILLIAM BASINSKI. I love what he did with loops, he is a pioneer of sonic decay. Hopefully, these songs will lift you up, and ease anything that weighs you down.
Turn on, tune in, sleep...
https://www.tonepoet-music.com
https://www.facebook.com/tonepoetmusic
TRACK LISTING
"Autumn Continent 1" by Between Interval from Autumn Continent (Spotted Peccary), Released August 8, 2006 (Start Time: 0:00)
"Weightless You Are" by Paul Avgerinos from Words Touch (Round Sky Music), Released November 21, 2001 (Start Time: 7:24)
"I Shall Be Removed" by Ken from Stop! Look! Sing Songs Of Revolutions! (Metropolis Records), Released February 21, 2006 (Start Time: 18:38)
"#19" by Aphex Twin from Selected Ambient Works, Vol. II (Sire), Released April 12, 1994 (Start Time: 23:44)
"dlp 2" by William Basinski from Disintergration Loops (Musex), Released 2001 (Start Time: 33:36)
Who I am, what I do, and why...
I really enjoy creating these mixes, and I choose to do this as a hobby. There’s something about taking a piece of music that I love and pushing it further as it evolves from a fertile seed into a populous and lush garden, or even a forest of sonic bliss. I really hope that my intentions of developing themes and creating deeper moments resonates with you. I will never just slap together random stuff that just doesn’t create a flow, that’s too lazy. Everything that I do must have purpose.
I used play guitar professionally, and have all my life (except for a brief period when I got sick of the music business), and I’ve travelled the world clutching my guitar while seeing (and hearing) some amazing things along the way. I lived in Germany for 10 years as a musician, and got to see so much of Europe through the eyes of a traveling musician. I have memories of sleeping on the train station benches, grasping my guitar and waiting for a way to the next gig. Despite the hunger and being surrounded by sketchy people and thinking 'this sucks', I still wouldn't trade that experience for anything. I have, along the way, made a very good living through music, and have a somewhat comfortable life now. What I play on guitar is not what I mix, not even close, so I enjoy the 'left field' aspect of mixing. Music is my hobby, and was my profession; it never gets tiring and it always was, is, and will be a big part of my life.
For the curious, I've released my own ambient compositions, which you can find at my TONEPOET artist site. The music is all free, and I'll continue making it until someone tells me to stop. And I'll probably make some more after that.
One thing, I owe a super-huge shoutout and thanks to Dave Michuda at LOW LIGHT MIXES that gave me tons of advice how to get things up and running. Super respectable guy, great music aficionado, and invaluable resource. Dave pretty much sets the standard for the rest of us. Thanks, Dave!
Turn on, tune in, sleep...
//tonepoet//
Artist Submissions
I'm not in this to make money, or anything. My reward has been hearing some good comments here and there, making musical connections with like-minded people (the best part), and being stoked about creating my next offering. I'm also all about people sending me original music to use in mixes (I find this to be absolutely flattering). I do gather everything received and load it all up to a listening queue (maintained through iBroadcast) that I play every day and make note of what I'd like to include in future podcasts. My 'staff' consists of three people: me, myself, and I. That said, it does take me time to put everything together and I definitely will never compromise with inferior podcasts by just slapping together random songs for the sake of generating output. I love doing this too much to not have an investment into the listener's experience.
Quite a bit of music (nearly everything for some episodes) comes from sources that send me promotional material. I can't thank you all enough for that. It really fuels the podcast and is an extremely generous gesture. In that light, please visit the artists' links, it is well worth your time.
You can read about artist submissions for my podcasts HERE.
If you want to get in contact with me for whatever, you can do so at tonepoetry(at)gmail(dot)com. I'm sure that you can figure all of that out. I'd love to hear from you.